Vintage Minis bring you the world’s greatest writers on the experiences that make us human – from birth to death and everything in between

‘I want to give a really bad party. I mean it. I want to give a party where there’s a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see.’

The crackle of gin on ice, the low hum of gossip, the first chords of the band – whether you love or loathe parties, Fitzgerald writes them like no one else. From glittering occasions complete with an orchestra and dancing girls to a fist-fight at the end of a toddler’s birthday, this is a dazzling collection of party pieces from the master of celebration.

Selected from The Great Gatsby, Tender is the Night and Flappers and Philosophers

VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.

A series of short books by the world’s greatest writers on the experiences that make us human

About the Author

F. Scott Fitzgerald (1896 -1940) is widely considered the poet laureate of the Jazz Age. He wrote many short stories and four novels, This Side of Paradise, The Beautiful and the Damned, Tender is the Night and The Great Gatsby. An unfinished novel, The Last Tycoon, was published posthumously.

F. Scott Fitzgerald was born in 1896 in St Paul, Minnesota, and went to Princeton University, which he left in 1917 to join the army. He was said to have epitomized the Jazz Age, which he himself defined as 'a generation grown up to find all Gods dead, all wars fought, all faiths in man shaken'. In 1920 he married Zelda Sayre. Their traumatic marriage and her subsequent breakdowns became the leading influence on his writing. Among his publications were five novels, This Side of Paradise, The Great Gatsby, The Beautiful and the Damned, Tender is the Night and The Last Tycoon (his last and unfinished work); six volumes of short stories and The Crack Up, a selection of autobiographical pieces.

Fitzgerald died suddenly in 1940. After his death The New York Times said of him that 'He was better than he knew, for in fact and in the literary sense he invented a 'generation'. . . he might have interpreted and even guided them, as in their midle years they saw a different and nobler freedom threatened with destruction.'